![]() ![]() #WHICH OF THESE MANUSCRIPTS DOES NOT DEPICT MATTHEW PROFESSIONAL#Patricia Lovett MBE, Co-Director of the Collection and Chief Judge, is a professional scribe and illuminator who specialises in the skills and techniques of mediaeval manuscripts but in a contemporary way. ![]() To support these broader goals, I also work with rare book dealers and library donors to make sure that Stanford’s rare books collections are growing in ways that fulfil current research needs while also anticipating future areas of interest.’ In order to connect more researchers with our materials, I also am eager to work with colleagues in the library to provide digital access to more and more of our primary source materials. I am passionate about the use of our materials in teaching, and work closely with faculty and students in class sessions and research projects. Working with curatorial colleagues across many different departments in the library, I aim to provide support to Stanford faculty and academic programs using Special Collections materials, and to raise awareness of our collections amongst research communities around the world. He writes ‘I focus on enhancing, enlarging, and celebrating the Rare Books and Early Manuscripts collections of the Stanford University Libraries. It is hoped that there will be an exhibition at the end of the three-year project as well as a conference/ symposium.ĭr Ben Albritton, Co-Director of the Collection, is the Rare Books Curator and Bibliographer for Classics. There is a limited budget for buying artworks but it is also possible for calligraphers to donate their work if they wish (which will mean the Collection will be larger than envisaged!). Accompanying these in the same email must be the application form. Assessment will be made by submission of photographs, so their clarity is crucial – these should include one of the whole piece and additional close ups. Anyone can send in photographs of their best piece for consideration, but it is stressed that excellence in letterforms, design, use of tools and materials and creativity are paramount. The keynote for the collection is excellence, but membership or fellowship of prestigious calligraphy organisations is not a prerequisite. His work, shown here, is already at Stanford.ĭr Ben Albritton and Patricia Lovett MBE are the Co-Directors, and are also on the Judging Panel, Patricia being Chief Judge. The launch of this was on the 150th anniversary (+ 6 months) of Edward Johnston’s birth in Uruguay on 11th August 1872 (already international!). How wonderful, then, that Stanford University Library have decided to rectify that and create a collection of worldwide, contemporary calligraphy (initially focused on the western alphabet) as a three-year project, possibly extended. Calligraphy is often a much neglected artform when it comes to being included in collections in libraries, galleries and museums, contemporary calligraphy even more so, yet is can be one of the most expressive combining text with colour, gold and illustrations. ![]()
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